The Definitive

Litopia Writers’ Reading List 2024

Peter Cox, founder of Litopia

I asked our members a simple question.

Which books have had the most profound impact on your development as a writer?

Here’s what they told me. A glorious cornucopia of more than forty definitive titles that ought to be on your reading list.

And note: if you buy them all (why not?) it will still be cheaper than taking one average-priced commercial writing course.

We’ve all enjoyed putting this list together, and we hope you get as much out of it as we have.

Peter Cox

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The Writer’s Journey by Christopher Vogler

Our Summary

This is Hollywood story consultant Vogler's distillation of Campbell's The Hero With A Thousand Faces. That is, it's a book on comparative mythology turned into a writing manual about the "Hero's Journey".

What I learned From It

See description in previous post of Campbell's The Hero With A Thousand Faces.

Rich.

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Show Don’T Tell by Sandra Gerth

Our Summary

Defines and illustrates the strategy. Explains the importance, art and limit of showing; also lists the uses of telling. Offers exercises and proposes solutions for some of them.

What I learned From It

I learned that 'telling' comes naturally to me but 'showing' much less so. This book is one I return to time and time again while I'm revising what I've written.

Jeanette

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The Art Of Fiction by John Gardner

Our Summary

This is a self-proclaimed book of basics, but Gardner is clearly elitist; this work is aimed at writers aspiring to create art. It covers plot, character, sentence structure, poetic rhythm - all the mechanics of writing fiction - but he's less interested in dictating laws of good writing. "Every true work of art," Gardner claims, "must be judged primarily by its own laws." His primary interest is about how to create a vivid dream to absorb the reader to the end of the story.

What I learned From It

This book is disorganised, but full of important lessons. There is no story until there is a plot capable of expressing it. The primary requirement of a piece of fiction is verisimilitude - that the reader can believe these events happened, or could have happened, or might happen in a slightly different world. And verisimilitude requires vivid detail. Most importantly it taught me to focus less on the technical details of correct writing and more on making the writing vivid and absorbing.

Dan Payne

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