The Definitive

Litopia Writers’ Reading List 2024

Peter Cox, founder of Litopia

I asked our members a simple question.

Which books have had the most profound impact on your development as a writer?

Here’s what they told me. A glorious cornucopia of more than forty definitive titles that ought to be on your reading list.

And note: if you buy them all (why not?) it will still be cheaper than taking one average-priced commercial writing course.

We’ve all enjoyed putting this list together, and we hope you get as much out of it as we have.

Peter Cox

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Write The Fight Right by Alan Baxter

Our Summary

Alan Baxter, a martial arts instructor and author, talks about what makes a good fight scene, and how to write rich scenes that are realistic and engaging for the reader. He discusses hand fighting in depth--techniques used, guarding and blocking, common injuries sustained in fighting, the consequences of a knockout. He explains how a smaller opponent must fight differently than a larger opponent. He discusses the sounds, smells, and yes, tastes of a fight. He discusses how the use of weapons affects the pace and outcome of a fight. Most importantly, he dives into the psychology of a fight--the effects of adrenaline, training, and experience on how people fight and how they react to a fight. All these details are explained in the context of how to convey the chaos and emotion of a fight on the page.

What I learned From It

I learned how to realistically give my characters challenging odds in fights. I also learned how to make a fight scene rich in detail without focusing on the blow-by-blow of a fight. Most importantly, I learned that the key to a fight is the emotional reactions of the characters--how the characters experience and emotionally process the fight is more important than the mechanics of the conflict itself. I also learned how to realistically address the aftermath of a fight--the broken hands, concussions, emotional turmoil--rather than have my characters bounce right back as though nothing happened.

Robinne Weiss

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Kindred by Octavia Butler

Our Summary

Despite being written 45 years ago, it feels like a modern work. It’s at once Sci-Fi, Fantasy, Speculative, and even Literary. Everything a writer needs to know about sparse and impactful prose can be found in these pages.

What I Learned From It

Pithy writing has power. Take a look at the first paragraph…

“I lost an arm on my last trip home. My left arm.”

We don’t know why Dana lost her left arm - or where she was when it happened. However, most of us would keep on reading to find out.

The minimalist approach doesn’t end with the hook. Throughout the novel, the writing is direct and matter-of-fact. There’s no purple prose to distract the reader.

Butler's worldbuilding is likewise utilitarian. She sets the stage with everything we need to know, and little else. If something more is needed to move a scene forward, she’ll drop it in later so readers aren't overwhelmed.

There is brutality in this world, and Kindred doesn’t shy away from it. Slavery in the US was a cruel business. Still, she conveys the humiliation and suffering of human bondage with an economy of words. There’s no need for intricate detail.

There’s also no need to explain why slavery is wrong. Butler trusts her readers enough not to lecture them.

The author falls into a common conceit of the era - chapter titles. However, she doesn’t abuse that conceit. Each title is short and to the point with neither wit nor irony. There are no spoilers, either. The meanings are clear upon finishing a respective chapter.

Kindred has both a prologue and an epilogue. Few books need one, and even fewer need both. However, this story demands both. There is nothing extraneous about their inclusion here. Unlike many novels, neither feels bolted on to the main narrative. The prologue hooks the reader while the epilogue provides the necessary denouement.

Not everyone agrees Kindred is Science Fiction. If it’s not, there's a lot here for Sci-Fi readers (including myself) to like. If it is Science Fiction, the characters and dialogue are much more realistic than most contemporary works.

Most importantly - this book remains relevant to readers and authors alike.

Bloo✒️

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The Emotion Thesaurus by Angela Ackerman And Becca Puglisi

Our Summary

A great one to dip in and out of if you find yourself repeating yourself in terms of showing-not-telling emotions. Gives lots of examples.

What I learned From It

Ideas to avoid repetition and alternative ways to say the same things if emotional reactions are repeated through the story.

Claire G

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