How magic works

Crowe's picture

So just before Christmas, the senior editor of a prestigious literary magazine rejected one of my stories but said he'd love to see more of my work. Hooray! Except it's a bit terrifying and naturally it had to coincide with a ton of marking landing on my desk, my elderly parents getting snowed in, and my elderly dog, who has degenerative myleopathy, going into a sharp decline that means he needs a lot of care in these last few weeks of his life.

Cue a lot of stress and even less sleep than usual (quite an achievement, given that insomnia is normal for me). I've also discovered that I can't write fiction to order in the sort of businesslike way I'd like. For me, stories are a sort of magic. I perform rituals of effort and despair, seemingly to no avail, and somehow eventually a story appears out of nowhere - usually an entirely different story to the one I thought I was writing.

It goes like this. I had two short rough drafts sitting on my hard drive, so obviously my cunning plan was to work up one or both of these into something good enough to send to Mr Senior Editor. So that's what I did. One was just the nub of a story, a powerful conclusion with no real beginning or middle. I wrote a beginning and a middle for it. Then I realised that what I now had were two stories tacked together and clunkily trying to relate to each other. Not good enough, not even close. I ditched the bits that belonged to the original rough draft and rewrote the new parts. The process was arduous. It felt forced and I hate forced writing. Day after day, when I could spare an hour or two, I fought with this damn story. Hating it, hating myself for writing it.

Then, when I was convinced I'd never get the thing to work, the magic happened. The characters came alive. Scenes played out in my imagination in that strange, detached way as if they've lain there all along just waiting for a veil to lift. It's not quite finished yet but it's all there, exactly the sort of story I hoped I'd come up with. But it doesn't feel as if I created it. It feels as if it had been there all along and all the stress and struggle was what it took to find it.

It's not the first time I've experienced this but usually I have the luxury of writing out these discovered tales whenever the mood takes me, not when there's an editor waiting for them. It's taught me something about how I write: that I need to wrestle with ideas for a while in order to reach a point where something else takes over, where the story suddenly almost writes itself. It's also taught me that the stories I have to tell are often not the ones I set out to tell when I started.

And that's okay.

 

MagicMan's picture

I thought this was real magic.

If you really need an agent, here is a nice spell.

To gain an agent as an ally for whatever reason desired, you must first obtain a sample of hair, nail, blood or bodily excretion from the agent.

At the midnight of a waxing moon place two candles side-by-side on a flat surface.

On a circular piece of paper, a hands length in diameter, scribe:

nectam
adnihilā́bō
suus mos

Below these, write the full name of the agent.

Above these, write your full name.

On top of the letters, in the middle of the circle of paper, place the bodily sample of the person.

Repeat the following invocation:

In thy name I beg thy aid
That with it may this spell be made
This union ever to remain
Two separate links to form a chain

Seal the pact with two drops of wax from each candle on the center of the circle.

Fold the paper into a small packet and fasten it with a length of cord.

To break the spell, drop the packet into the fires fueled in the bowls of mother earth.

Pelotard's picture

'S a bit like sculpture,

'S a bit like sculpture, right? Take a huge slab of marble and cut off anything that doesn't look like Nelson.

Crowe's picture

Aye. Or perhaps cut off

Aye. Or perhaps cut off anything that *does* look like Nelson.